Play Along Piano

Tags

Baroque

Vivaldi's Two Ellipses

Jayden Fung

1:00	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	14	0	2	2	95%
Violin I	23	1	8	8	76%
Violin II	21	1	5	8	71%
Violin	11	2	3	10	48%

Fugue in G minor

Thomas-S

1:47	Est. Play Time
21	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	7	5	97%
	12	3	5	90%
	21	5	5	95%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	19	7	5	97%
	12	3	5	90%
	21	5	5	95%

Op. 27 - Double Canon

Bradley de Lucia

2:47	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	3	5	74%
	15	0	2	5	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	3	5	74%
	15	2	5	95%
	15	2	5	97%
	18	3	5	77%

Lost Woods (Piano Fugue)

joyce005

0:40	Est. Play Time
51	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	0	5	97%
		15	1	0	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	0	5	97%
		15	1	0	3	94%

Chorale Prelude: Komm, Gott, Schöpfer, heiliger Geist BWV 667 by J S Bach

ChurchOrganist

2:25	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	2	7	6	95%
	27	0	8	7	97%
	13	0	1	6	93%

Chaconne for Two Flutes - Henry Purcell

Petri Sainio

2:07	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Gtr.	17	11	2	6	95%
Fl.	13	0	3	7	92%
	13	0	3	7	89%

Sound The Trumpet (Brass duet)

mcderdav

1:29	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		12	0	2	9	90%
Horn		13	0	2	9	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet		12	0	2	9	90%
Horn		13	0	2	9	90%

Henry Purcell - A New Scotch Tune, Z.655

Joâo Schnier

1:00	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭1	12	0	1	6	100%
Clarinette en Si♭2	7	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭1	12	1	6	100%
Clarinette en Si♭2	7	1	6	100%
Clarinette en Si♭3	9	2	6	100%
Clarinette Basse	13	1	6	96%

Lamento della ninfa - Monteverdi

Raphaël Batôt

3:27	Est. Play Time
138	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpe	19	9	4	3	100%
	5	0	0	1	100%
Soprano	12	0	2	3	80%
Ténor	9	0	2	3	27%
	7	0	0	3	33%
Basse	9	0	0	3	31%

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

HWV1A3N4 - Du stolzer Erdenkreis!

edward.maurath

2:22	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	13	29	1	3	89%
	19	19	3	4	100%
Bassoon Continuo	13	0	1	4	100%
Violoncello Continuo	13	0	1	4	92%
Violone Continuo	13	0	1	4	92%
Oboe	15	0	1	4	82%
Tutti Unisoni	15	0	1	4	82%
Bass as Consalvo	11	0	2	5	60%

HWV58A2N7 - Juno, "Hence, hence, Iris, hence away!" in f minor

edward.maurath

4:29	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	20	45	7	6	92%
	20	10	4	5	95%
Cello	17	0	3	5	95%
Juno	15	0	4	9	84%
Vln 1	20	0	4	5	80%
Violas	19	0	4	5	74%
Vln 2	21	0	6	3	70%
Celli	17	0	3	3	66%
Kontrebaß	17	0	3	3	66%

Ave Maria (Bach/Gounod) for violin and piano

Jaime Arturo Sánchez

2:17	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	1	4	2	100%
	19	1	5	6	51%
Violín	14	0	1	6	90%

HWV58A3N2 - Leave me, loathsome light

edward.maurath

3:13	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	18	10	3	5	96%
	18	1	3	3	100%
Organ Continuo	21	10	3	5	96%
	18	2	3	3	100%
Cello Continuo	18	0	3	3	100%
Double Bass Continuo	17	0	3	3	100%
Viola	16	0	3	4	90%
Violin 1	15	0	1	3	90%
Violin 2	16	0	3	5	90%
Bass	13	0	2	6	79%

Cantata: Wachet auf, ruft uns die Stimme | J.S. Bach, BWV 140

Barock

0:44	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	0	3	19%
	4	0	0	1	38%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	0	3	19%
	4	0	1	38%
	9	0	4	23%
	8	0	3	27%
B.c.	19	3	4	100%
Violino I	22	5	6	100%
Oboe I	14	2	6	96%
Viiolino	22	5	6	92%
Oboe II	12	0	5	77%
Taille	11	0	5	77%
Viola	13	1	5	73%
Violino II	12	0	5	73%
Corno	5	0	1	38%